Saturday, 29 March 2014

One of the Greatest wars in entertainment history: Marvel vs DC!

Welcome back to The Randomizer!


Let's be a little geeky today and discuss comic books.


Since the 1930s, they have become a great source of entertainment for young people and old alike around the world. It will be fair to say that it has become an international institution, giving us page after page after page of drama, comedy, love, and action all wrapped into one. Even now, comic books are ever-changing, even into different media formats; Films, video games and music have helped to expand the genre to gain new fans and keep them going for new generations to love and appreciate.

Now, what I'm going to be focusing on specifically is the two most famous American franchises, Marvel and DC. They have dominated comic books, especially in America, for the past seven decades, and their heroes can be considered to be a new line of mythological gods, compared to the old Greek Gods. We all know their names well: Superman, Batman, Iron Man, Captain America, The X-Men, Spider-Man, they are our generation's modern day gods. Apart from Ronnie James Dio. He's not a comic book hero, but he is still considered God of course.

In addition, I am also going to focus on specifically is Film and Television.....I think you can see where this will be going.

As we know today, comic book movies and television have been a long staple through those same decades. From the first Batman serials in World War II, to 'Superman''s release in 1978 to widespread acclaim, to the Marvel Cinematic Universe taking centre stage against the developing 'Justice League' film that started with Man of Steel last year, these films have received a good amount of praise, as well as courting controversy, more so with certain casting decisions then most these days, but other little bits as well. I've have mentioned some of these things before in my Top Ten  films I've seen in 2013, but some points will be raised here again.

However, I'll not be going to go though are comic book films good or not because I do like most of them. Rather I will be asking the question:  Which franchise is better, Marvel or DC?

This is something I'm sure has been going around for some time, and has bugged me for a little while. If you look on paper, both sides have had their share of good and bad in the past. For every Avengers and The Dark Knight, you have Spider Man 3 and........urgh.....Green Lantern. These films I will come back to overtime, and you might get a nice surprise soon enough.

I will be including my own personal opinions in this as well, so you'll have an impression of where I think each franchise will go, and what shows I like overall. But I will be honest in saying this beforehand: I am not a big comic-book fan, only following the films and TV shows. I have little interest in reading the comic books. I know of a few storylines only from what I have researched in the past and which ones influenced the films, so try not to hate me too much please.

So with all that said, here then is Marvel vs DC in Film and Television. Let the battle begin!



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Let's go easy and start with a general overview of Marvel.


It can be fair to say that since 2000, Marvel has had the edge over DC.....actually let's change that to effectively shot them in the face. With the release of X-Men, following up with the Spider-Man franchise a couple of years later, and only increasing the pressure with the onset of the Marvel Cinematic Universe from 2008, Marvel has systematically become King of Comic Book Movies with hardly much opposition. Almost all the movies have been very well received, albeit with some that split fans down the middle. Regardless they have gone from strength to strength, taking more risks as they are doing with Guardians of the Galaxy and using all sorts of different twists and awesome actors to keep their audiences talking.

However for some of the good that has happened, there have been some controversial moments as with every film franchise. It would be daft to ignore certain elements that have caused ire in not just the Marvel Cinematic Universe, but also in X-Men, Spider-Man, etc. Some of them are major problems, but some can be a few minor issues as well, which do make some sense once you think about them. For now, I'll just focus on what I think is good for Marvel films and TV shows, then follow up with what I think is bad next. The same will be done for DC Comics.

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THE GOOD FILMS:

Where to start with the good side of things........I suppose a good point is with the quality of films that have come out.

Needless to say, I have enjoyed a good deal of the Marvel films, more so with the Cinematic Universe then most. Though that has probably more to do with hearing the reactions of the X-Men movies, and seeing where the Spider-Man films are going nowadays. With the Cinematic Universe, I had originally made a little list for the first six films, known collectively as 'Phase 1', which went as follows:

The Avengers - 1 (duh)

Iron Man - 2

Thor - 3

The Incredible Hulk - 4

Captain America - 5

Iron Man 2 - 6

I'm sure anyone would have The Avengers and Iron Man at the top of their lists for good reason. They are very funny films, good action sequences, and pretty good acting all around. I think the bigger surprise on that list is Thor. I actually really enjoyed all the humour, liked Chris Hemsworth in the role of Thor and the twist with Loki as well, becoming a sort of Machivellian character with his own personal gain. It was a good film overall for me, granted that Loki's motivations can be a little non-sensical.

The second surprise is The Incredible Hulk, with Mr Take-Over Edward Norton playing a pretty good Bruce Banner, alongside Tim Roth playing the Abomination, Liv Tyler and William Hurt as army family Betty and 'Thunderbolt' Ross. I did think this was a good film, with some nice emotional moments here and there with Bruce and Betty. The action scenes are probably outdone by the emotional drama played out by the characters more, but not put way over the top. I would like to see a sequel to this film soon, and maybe one could've come sooner than later to my liking.

Captain America: The First Avenger was pretty good, but not on par with the others. Acting was ok given what Chris Evans and Hugo Weaving have against each other, but I don't really remember anything that stood out as awesome, just something to watch so you can keep in tune with the Cinematic Universe as a whole. Iron Man 2 I will come to in the next section.

Carrying on into Phase 2, you may remember my feelings about Iron Man 3 already from Top Ten Films of 2013. If you don't remember it, go over quickly beforehand. I have seen Thor: The Dark World as well (not really making it into my list), and thought as well that it was a pretty good film as well. Certainly it looked more pretty in a more practical state, and acting wise it was pretty good too, especially from Christopher Eccleston as Malekith the Accursed. But I did think the comedy went a little overboard with Darcy having a bit more focus and a few hit-and-miss jokes (disappointed!), and after reading up some truths about the film, it has become a little lower on my list. Good film, but not the best sequel I've seen.

With good reactions coming for the next two Marvel films Captain America: The Winter Soldier and Guardians of the Galaxy, along with what news we have for Avengers: Age of Ultron, things are still going strong for Marvel as of yet, and they aren't going to be knocked off their pearch just yet. In fact it might be a pretty big fall if they were knocked off since they're on top of the world.

Marvel doesn't just have films under the Nazi Regime.....oh sorry, The Walt Disney Company. Always get those two mixed up! They also have 20th Century Fox and Sony Pictures under their spell too. Even New Line Cinema released the Blade Trilogy under their banner before it became a subsidiary to Warner Bros. 3 companies that Marvel has to release all sorts of different films, and opportunities to do new projects; Well it's no wonder why Marvel are kings at the minute isn't it?!

Kings?......hehehhahahahaHAHAHAHAHAHAHAHAHAHAH I need drink. ANOTHER!

20th Century Fox holds The Hugh Jackman Show, more commonly known as the X-Men, which really brought in a new influx of Comic Book Movies since the days of Batman and Superman, and allowed Marvel to gain a hand against DC. The first two movies were released to critical and box office praise from film-goers alike. Directed by Bryan Singer, the tone of both films were quite dark, brooding and well-directed action, and the over-riding theme of prejudice becoming the main focus. It's been a while since I have since both films, but I remember them being really great pieces of work. Hugh Jackman was good as Wolverine, along with Patrick Stewart and Ian McKellan as Professor Charles Xavier and Magneto respectively and all the others making good use of the characters they work with.

But with all due respect, those two films were the only real films I liked from the X-Men series so far. I have not seen X-Men Origins: Wolverine yet, and from what I've heard it's not a very good and well-thought out film. But perhaps I should do that soon!

The other two......well for the minute I'm going to say X-Men: First Class felt different. It was ok, with some good moments here and there, but it was a complete contrast to the first X-Men films, more colourful and historical then most. It's not necessarily bad per se, but it did not appeal to me so much. Some little bits did niggle me a bit, like why Magneto and Sebastian Shaw did not speak to each other in German during their final battle scene, since they were German to start with. The humour as well is different, which I think was because Matthew Vaughan who made Kick-Ass beforehand. That too is not bad, but against the tone of the first two X-Men films, it was strange. What didn't help X-Men First Class, in my mind at the time, was the conflicting idea of whether it was a reboot of the franchise or a prequel. It just utterly confused me what the intentions were. But reading an article about the film from Screenrant.com, Vaughan said that it was in fact a prequel to the X-Men Trilogy. It was a few years since it was written, so I wasn't totally up to date with the film's original purpose.

Sony Pictures on the other hand have the rights to the Spider-Man franchise, stretching back over a decade ago to 2002, first with the trilogy starring Toby Maguire in the role of Peter Parker, but then rebooted two years ago with Andrew Garfield in the role. I will be honest and say I never saw the first two Spider-Man films in the cinema, only by other means of DVDs and in a Greek bar on holiday. When I was younger, I did enjoy them immensely, having a vested interest in the narrative, the characters (especially Doc. Octopus), and the exploration of having awesome powers and using them as a means to do good in the world.

To probably your surprise, I haven't really watched Spider-Man 3 all the way through, just the beginning and the ending bits. I can't really have a big opinion on it for the time being, but I will say from what I've seen it's ok so far. I probably should put that on my list of films I need to watch all the way through too! (which begs the question, what am I doing with my life?)

But now I am an old and wiser soul (pfft not really :P), and re-watched Spider-Man last year so I could come to my own idea of who was the better Spider-Man. To be honest, Spider-Man was ok. Just ok mind. Toby Maguire is pretty good in the role, but I don't think he completely owns the role as Peter Parker. Something about him just threw me off. The CGI in the film can be pretty off-putting too, especially with the Green Goblin sometimes being blantanly bad. Speaking of the Green Goblin, Willem Defoe is hysterical as Norman Osborn, but again it now makes me feel kinda meh. Maybe it's something I can't really relate to anymore because I've grown up, and think it now an ok film with some silly bits.

On the other hand, The Amazing Spider-Man.......was kind of the same. Andrew Garfield was also good as Peter, but some bits were again a little off-putting, like the skateboarding stuff. It made for some good stunts, but....why is he a skateboarder, just to be different? Isn't that kinda forced? He's already a computer guy, he doesn't need the skateboarding stuff to be more introverted right? Despite that, the relationships he had with Uncle Ben and Aunt May felt more realistic, more dramatic, showing that Peter isn't the saintly kid, he can be a real dick some times. Garfield does play it a little better.

My favourite part of that film was actually Emma Stone playing Gwen Stacy. I just enjoyed her characterisation in the entire film. She brought a sort of spunkiness and intelligence to the role and sounded just right most of the way through, hitting everyone of her marks. Actually I take it back, both Stone and Sally Field were great. Field playing Aunt May felt more emotional and caring about what the hell is her nephew doing around at night and feeling lonely after her husband is shot. You really see the emotions pour out of her and sympathise completely with her fears. In this case, the male actors can suck it :P.

Initial opinions on The Amazing Spider-Man 2, I think it will be a little better then the first film. The action bits look impressive, the acting good and I wonder what will happen to Gwen Stacy in the end. What do I mean by that? Well......there have been certain elements of one of her costume that matches a certain costume from the comic books. That's all I'm going to say, no spoilers at all.


Safe to say the future is still bright for Marvel for the moment. As long as they keep releasing good quality films that people will enjoy in the heat of the moment, they are simply going to stay on top.

With that said......

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THE BAD FILMS:

Despite the reputation it has now around the world, they have had really bad hits in the past and present. Indeed, since the 80s to late 90s films based on Marvel were critical failures, such as Howard the Duck (produced by George Lucas), The Punisher (1989 film), Captain America (1990 film) and the unreleased Fantastic Four film (which as far as I know is actually viewable on Youtube). Things looked up with the release of more gritty and dramatic films like Blade and X-Men to better praise. Then in the middle 2000s simply put, quality declined.

Fantastic Four was released and received a critical drubbing, but good box office receipts were enough to warrant a sequel two years later, Fantastic Four: Rise of the Silver Surfer. That film received not-so much better reviews, and raked in less-money then the first. Again, I've only seen a bit of the first one and the second, so my opinion is limited. At the time of viewing from ages ago, the first one seemed ok but strange, probably due to the fact it was a scene where they're on the bridge and Jessica Alba was busy getting undressed to use her invisibility powers. The second film....it felt ok too. But the overall villain, Galactus was a cloud. Even I knew that he was a big fucking giant from the comics. It was a bizarre choice even today, and I still don't get why he needed to be changed into a cloud, even if the purple/blue costume looked out of place and could have been changed anyway.

But I did see X-Men: The Last Stand.

After posting this picture, my face melted and my eyes fell out of my sockets into a puddle of blood on the floor.

Oooooh, I HATED this film. This is an abomination. The plot focuses on the telepath Jean Grey becoming a more powerful person known as 'The Phoenix', and scientists have discovered a way to cure mutants of their powers, created from a mutant boy called Jimmy, whose powers can cancel out any mutant ability. Well you can see who that will piss off? Justin Bieber! He is a mutant anyway. No it's Ian McKellan of course and he reforms a new version of his Brotherhood of Mutants, even bringing Jean to his side after she kills Professor X. The X-Men though disheartened, fight the enlarged Brotherhood at the end and send them into retreat, with Wolverine killing Jean when she goes mad and destroys everything in sight.

Let me make a list of things as to why this film really annoys me:

·         Magneto dumps Mystique. This I thought was complete and utter crap. These two have a good relationship with each other in the first two films, yet he just abandons her after she shot with the cure. That is inexcusable and an insult on Magneto's character

·         Angel. Angel is one of the most important characters in the comic book world, being one of the first members of the X-Men. In the movie, he is absolutely pointless. He runs off from home, joins the X-Men, and saves his dad at the end. That is it. Urgh!

 ·         The Love Triangle between Rogue, Iceman and Shadowcat. This is a bit of a bugger, because you do understand how the relationship between Rogue and Iceman is like. She is unable to touch him, and vice-versa because of her powers. Still, it is a bit of a dick thing to give your attention to another girl rather than the one you actually love.

 ·         Brett Ratner/Bryan Singer. Yeah, I say this was always a big mistake for Bryan Singer to leave The Last Stand in favour of Superman Returns, leaving the reins for Brett Ratner to turn the film into an more action-packed flick, going in a completely different direction for the series. In fact, Ratner might have done better with Superman Returns. Because Superman is cheesy!

I think you can see where I'm coming from with those points. It's a film that really does grind my gears.
The other film I specifically want to talk about is Iron Man 2, where Tony Stark has to contend with a revenge plot from Ivan Vanko aka Whiplash because Vanko's father was deported to the old USSR for trying to make a profit of creating an arc reactor. Oh and he's dying too, making him do silly things like putting Pepper Potts up to be CEO of the company.....which motivation I missed completely, or maybe it wasn't made all too clear. And the ending....oh the ending. Vanko makes himself a suit to beat both Iron Man and the newly created War Machine, and fails. How original.

This was just a silly movie. Ivan Vanko was a pretty bad villain, getting completely owned by Iron Man twice, and ripping off the first Iron Man with his own suit. He even tries to blow the two heroes up....and fails to do that completely. He was a poorly written character that needed a lot of work on. I've read up that Mickey Rourke has stated his disappointment, saying that the higher ups wanted just the one dimensional bad guy and not allowing expansion to work on the character. I can really understand where he is coming from, villains need to be as just as complex and motivated as the hero. If not, they just feel flat.

I think the other problem is the film is not very consistent in terms of narrative and clarity. I don't remember Tony promoting Pepper to CEO because he was dying specifically, or at least shown a scene where it was made clear. Also it wasn't very funny to me, because I only laughed twice or thrice while in the cinema, at the beginning and the end of the film. Iron Man 2 is such a waste of a film, unable to really expand more into the Marvel Universe and whatnot.

The last two films I will give a quick mention to is the Ghost Rider double. I have heard that both films aren't very good, the first one being over-the-top and cheesy, and the second Spirit of Vengeance is just bad too. After watching one review about the first film, and seeing a clip of the first, I'm not sure I'd be missing much if I didn't watch it. But hey, I might be bored and need a good laugh at some point! Did that with I Frankenstein, and I turned out fine.

It's probably a good thing that the few bad films have come in-between the better quality films, and not hurting anyone of the franchises too much, unless where X-Men and Spider-Man are concerned where everything led into different directions. I apologise for not mentioning every bad film on here, but I don't really want to bore you all too much. There's plenty more I need to talk about!

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THE TV SHOWS:

When I first got into Marvel, it was partly thanks to the various animated series that was available on Fox Kids for a good time. By various I mean a good load. I remember watching Spider-Man, The Incredible Hulk, X-Men, The Marvel Action Hour (consisting a double bill of Iron Man and Fantastic Four) and Silver Surfer (....anyone actually remember this show?). So much was there to wet the appetite.

Welcome to Marvel's Action Hour. You must be 18 or over to watch these shows back-to-back ;)

To be honest, I don't really remember them so well with complete fondness. All the series had some sort of mixed bags to like and dislike at the same time, because I wasn't sure of the designs the different animations had, which at times were either quite flashy, too bright or just didn't leave that much of an impression on me. I think it's more of the latter, even though I do remember some bits from the show.

The few things did really did stand out for me was actually the very long storylines, like the double Phoenix Sagas in X-Men, the Six Forgotten Warriors in Spider-Man, the first few episodes of the Silver Surfer, seeing Tony Stark's father come back in Iron Man, and actually seeing a big cross-over between all of these series in Spider-Man was ridiculously fun, the list could go on. But it won't so there. What I do fondly remember most of all is the individual intro videos, except for the Fantastic Four ones, which I tried to repress successfully for good reason. They were sooo annoyingly addictive. My all-time favourite intro is probably the Iron Man Season 2 intro. It has a rock guitar focus and solo. Nuff said (no Stan Lee pun intended). It was a good way to spend a weekend instead of doing homework. I have no regrets!......much.

But with the Marvel Cinematic Universe becoming dominate for four years came an idea for a TV show based around the activities of S.H.I.E.L.D., appropriately titled Agents of SHIELD, created by Avengers director Joss Weldon. It brings a somehow brought back to life Agent Phil Son of Coul leading a small team to investigate different cases that threaten the world, and finding out for himself how he was brought back to life in the first place.


The show itself is actually pretty good, considering its overall setting in the big scheme of things with references back to the films with the use of the Extremis technology along with the Chitauri technology , seeing a fugitive from Asgard etc. It gives a more wider scope at how smaller humans can make a difference against the main members of the Avengers. Some of the characters other then Coulson are a little interesting, like how Skye can take matters into her own hands and talk back when necessary, how Melinda May (played by Mulan!) has her nickname 'the Cavalry', and the relationship between Fitz and Simmons (who obviously love each other, but are too piss-scared to say it).

I don't have so many gripes with the show at all, because there are some bits that really do fascinate me, about how where everything is going. But I do wonder if some of the characters come across as a bit bland and not very interesting as people. They might come across as simple sterotypes to put across exposition and defeat the bad guys at every turn. Well, almost every turn. I suppose nothing really feels developed, that we're just simply waiting until the next episode for some explanation for one character or the other.  Also I'm not entirely sure that the three-month long break we had in the UK helped much, since probably half the episodes have already been broadcast in America and we can simply spoil it for ourselves willy-nilly. I don't know, I just can't put my finger on what my issue is. Hmmm more tea is needed I reckon.

Interestingly Marvel Television announced some time ago that Netflix had picked up four live-action series to begin in 2015, focusing on the heroes living in Hell's Kitchen, starting with Daredevil, to culminate into a mini-series called The Defenders. Sounds like a Marvel TV universe so to speak doesn't it? But it shows how much risks Marvel and Disney are willing to take with going into new and different directions, perhaps more so where Daredevil is concerned, because they can bring in more comic book heroes to appeal to Marvel and television fans in general.  They are really pushing the boundaries of the comic book world into a new medium the likes of which has never been seen before.

Perhaps that's why Marvel has made such a big impact in the world as it has done so far. The producers of Marvel and Disney have been willing to take quite big risks in bringing these pictures to life, and succeed for the most part in bringing in big audiences. Yes, every franchise has its cock-ups, but Marvel must feel as if they have not been so repetitive in making those kind of mistakes over and over again. It's hard not to fault them for their probable long-term plans in thinking what films are they going to do next. They seem to know what they are doing, where they want to go for each film and how they are going to do it.

For the time being, Marvel is in control.

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Now we come to DC. Ohh, where do we start with the older of the two? Time hasn't always been kind to DC in the world, especially where film is concerned and TV to an extent. 

Oh hai

To everyone's knowledge, there have been only TWO superheroes that have received the biggest receptions around the world, Bella Swan and Edward Cullen. Oh wait, they're shit I remember! Of course it's Superman and Batman, and DC Entertainment are only starting to get their feet off the ground with production leading forward inevitably to the Justice League film, arguably SO far behind what Marvel is doing. Their path will not be easy, considering not just the release of Green Lantern to poor reception (for good reason), but with the somewhat controversial events surrounding Man of Steel (film-wise) and its still-in-production sequel Superman vs Batman.

It might be fair to say DC are doing the opposite of Marvel, trying to bring the main members of the Justice League slowly film after film instead of giving them separate stories to introduce them and the DC Universe over-time. Least that's to my assumption. It does make things a little different on paper, but whether it will work once the film is finished and released is another matter. However with what success in film they have had, they have had just as much success with TV more so then Marvel have with their DC Animated Universe, as well as other shows like Teen Titans, Young Justice and the ongoing live-action series, Arrow.
Let's go into detail to see how much DC does hold up against Marvel, if it does at all.

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THE GOOD:

Despite what I think at the moment to DC's intentions at the minute, I do think that there is some good from what has been released so far. Well from what I have watched anyway in film. Like I said, Superman and Batman are the main go-to superheroes for DC, the ones that are so popular to have their own recognisable films, loved by many people around the world. Well, loved as much with their best foot forward and worse foot mangled by their own swords.

Superman was the first superhero to have his own big cinematic opus in 1978, released to critical praise and still maintains a good following (time-travelling notwithstanding I think). Superman II received just as much, if not higher, acclaim. Metacritic has a rating of 99. Not even joking. Despite the well-known production complications involving original director Richard Donner and the brought in Richard Lester, people still have great praise to give this film. The third and forth films however weren't so well received. Superman III's greater emphasis on comedy, with the addition of Richard Pryor in the mix, did not sit so well with fans so I've heard, seen as a poor mess of a threequel. The forth however I have seen, and is hilariously bad. Physics are sent away because story is more important, dialogue is silly, the blue-screen effects are so obvious, nothing really makes any sense in this film at all. It is a poor attempt at talking about nuclear weapons which apparently was still a threat in the 80s, right? In 2006 however, the latter two films were ignored in favour of Bryan Singer's big mistake, Superman Returns. Despite some positive reviews, it was seen as a failure at the box office and a potential sequel scrapped. Oh well.

Brandon sad......

Only seven years later, Superman came back to the big screen under the moniker Man of Steel, and setting the course for an eventual Justice League movie. Yeah, I haven't seen this movie properly either (such a big Superman fan aren't I?). I've only heard what happens from accidental spoiling and watching the final battle between him and General Zod. But from what I have seen, it does look a real nice film to get started with. Speaking of which, it does look like it has a similar tone to another film series, which goes all the way back to 1989.

The Batman films I have seen properly, so I can bitch about them all I want! Yay!

I make everyone my bitch, because I'm Batman. Now where's the one called 'Bieber'?

The Tim Burton Double were pretty good films. The first Batman was well-acted, broodingly atmospheric and quite cartoony without being so distracting. Jack Nicholson is good as the Joker, though it might be a little distracting because it is Jack Nicholson. Michael Keaton as Batman was good too, showing how playfully ignorant he can be, but also a playfully vicious side when he puts the cape and cowl on. I will admit there are a lot of things that I don't really find funny, like the hand with the dead flowers popping out as Kim Basinger opens up a parcel. That just goes over my head. Whatever flaws it has, it's still a good movie. Batman Returns was actually the first film I saw of the Burton films, seeing how far dark Burton could go with the drama that the Penguin brought with it. To be honest, that tone of the film didn't really bother me at all. You could argue that that's what Batman is supposed to be: He is a dark superhero, and bad stuff does need to happen in dark storylines. It's something to reflect upon. With that said, it is still a good film. The action scenes are pretty good, it's cartoony in a nice way, though probably a little bit confusing.

The second double and most infamous is the Joel Schumacher films. I still remember Batman Forever quite fondly from days of night-time babysitters. It was entertaining, very bright, manically energetic, dramatic with the appearance of Dick Grayson and very memorable. But that is really my memories as a kid watching it, not as who I am now. Val Kilmer was pretty good too, having a nice brooding voice as Batman while keeping a kind of coolness as Bruce Wayne. Chris O'Donnell as Dick Grayson/Batman's target poster was ok too, bringing a nice bit of angst to the part and slight cockiness too (though I don't know if that's warranted or not considering he lost his parents). Then things took a turn for the worst for many people as Batman and Robin came on the scene. Now like Batman Forever, it's been a long time since I've seen this film and I have heard how much people really HATE this film. But remembering from the time I watched it, I thought it was ok. Please don't hate the kid in me. It wasn't as good as Batman Forever, but was still pretty decent to keep my attention. George Clooney was ok as Batman, though I don't think his voice ever changes at all, just your standard Clooney drawl. Chris O'Donnell seemed to be a little more bitchy for some reason and Alicia Silverstone was ok as Batgirl......actually you know what, I think I do need to re-watch Batman and Robin, just to see what I could make of it now, what it's really like.

I've only noticed this as I'm writing, but have you noticed a pattern between the two films? Burton's films get more darker and broody, while Schumacher's goes more campier. Maybe it shows to producers at any rate that the two extremes are just bad ideas. Needless to say after Batman and Robin died a very slow death at the box office, plans for a Batman Triumphant film were scrapped in haste, and the Dark Knight would lay low from cinematic screens for eight years. Until.......

God rang up and said you needed a series saved?

The new cinematic god Christopher Nolan gave us the now well-renowned realism grounded Batman Trilogy. These films are some of the best in the comic book genre I have had the pleasure of seeing on-screen, and made Nolan one of my favourite directors for mainstream stuff, and set off the idea for reboots for a good number of films. But the first reboot of Batman was the first to be done right in my mind. Batman Begins shows how Bruce Wayne came to become the Dark Knight himself, getting involved in a plot to take Gotham off the map tearing itself apart, literally, through fear. Christian Bale as Batman was really good, turning Bruce Wayne into a sort-of over-the-top money spender and playing Batman well as a good action hero (Quick note: I liked the voice he did. Move along). Katie Holmes as Rachel Dawes was ok too. She did well to come across as someone who tried their hardest to do the right thing, be freaked out and have a caring attitude at times of need. Also the twist was actually really good, considering the man who plays the villain isn't really known for playing villains.

If Batman Begins was the seed of rebooting the franchise, then its sequel The Dark Knight was the crowning jewel, especially with Heath Ledger playing The Joker in a fantastic role. It raised the stakes a little higher, brought in some more impeccable acting from Aaron Eckhart, Maggie Gyllenhall, Morgan Freeman etc, and really nice action scenes to boot. Essentially it became a high point of how comic book sequels ought to be done. The final part The Dark Knight Rises was still a good film, but as I've mentioned before, there are a good number of flaws that needed to be held up. I still think that despite the films intentions, it could've been a hell of a lot better. That said, it is still a very good piece of work, nicely acted and Bane's voice can be heard dammit!

Sadly for the DC side of things, that is as far as I can go talking about good DC films. That must be a worrying thought for DC anyway, because they have no other big superheroes to fall back on in anyway shape or form. From what I have seen, DC can be perfectly capable of making good comic book movies. The difficulty is they just don't half the time with all the other heroes they have put on-screen, some of which aren't even part of the DC universe. With the onset of bringing the Justice League onto the screen, they are making some interesting choices like bringing Ben Affleck on to take the role of Batman and bringing Wonder Woman onto the scene as well, with Gal Gabot in role. So they are making some risks with bringing heroes together one after the other. Whether the choices pay off in the end is another matter. Some other heroes in the DC universe they have tried however just don't work......

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THE BAD:

Oh dear me, there are a few bad ones here. Unfortunately I've only seen the one film, but by my guess I think I might hate the others in that respect too.

In 1997 saw the release of Steel with Shaquille O'Neal in the lead role. In 1997 saw the release of Steel with Shaquille O'Neal in the lead role. Just wrote it down twice to make sure you see I am not bluffing with a chocolate muffin. O'Neal stars as John Henry Irons, who resigns from the army because of his friend 'Sparks' being injured in one of his weapons experiments. Finding out that his old partner Burke is using his weaponry for crime, he makes an exoskeleton rubber suit and takes to the streets as Steel to fight this menace. Unfortunately, the only menace he could not fight back against was the box-office, because this film flopped badly. The only probable good thing to come out of Steel is the actress playing Sparks, Annabeth Gish, getting good reviews herself.

Interesting enough in the original comics, the character was actually inspired to help fight crime after being saved by Superman, and challenged to do something with his life. Longing to atone for the deaths his weapons had caused, he built a suit of exoskeleton armour and assumed the name Steel. I bring this up because I think it's interesting to show how Superman can be a good influence in film as oppose to just creating an original back-story, and it could tie in with the Superman movies. But then again that franchise had died badly, so it didn't need to be repeatedly machine-gunned more into the ground.

Thirteen years later, with Nolan's Batman trilogy one film away from completion you'd think DC would capitalise on making another franchise to equal Batman. In comes Jonah Hex in 2010, with Josh Brolin in the lead role. The story is a revenge tale during the American Civil War, as Hex is forced to kill his commanding officer's son and best friend, Jeb Turnbull for refusing to burn down a hospital. This incurs Quentin Turnbull's wrath and with your resident psychopath in tow from the high street, kills Hex's wife and child in a fire and brands his initials on Hex. Hex seeks revenge and goes after Turnbull. Upon release Jonah Hex was universally panned and only brought in an under a fifth of its budget.

Like with Steel, Hex's backstory is changed from the original comics. He became a bounty hunter upon suggestion by someone when he killed an outlaw who echoed sentiments of his own alcoholic father and abused mother. He himself is killed by another outlaw of some variety, and returned from the dead to receive supernatural powers. Maybe this might have made a better storyline, but honestly, I don't find Jonah Hex that interesting as a person. He just seems a cowboy with a big bulging eye from what I've seen. The film make-up as well from what I've seen leaves a lot to be desired. Maybe in future I'll watch it if I'm so bored out of my mind, or as a way to show people how not to make comic book movies.

A year later came the release of a film I did hate with a passion for a time, and what I thought would be horrible from the trailer: Green Lantern. 

Upon loading this poster, my face melted again. I should stop watching bad movies.

The plot is as follows:

Hal Jordan is a pilot who is fired after screwing up a training session, and goes to visit his nephew for his birthday. However he is caught in a green energy field and brought to a crashed spaceship where the alien Abin Sur gives him a magic green ring, which helps him defeat a few people on Earth before taking him to the planet Oa, where he discovers the Green Lantern Corp, and an enemy as old as the crop itself, Parallax....and everything goes down hill from there.

After watching this....whatever this was intended to be, I was fraught with the logic because a lot of things don't make sense at all. Here are a few main points that mainly bugged me:

·         Parallax's escape. So wasn't he contained simply by the power of will? Surely willpower is strong enough to stop a evil space octopus (no questions, Parallax is pretty much a evil space octopus) because no one really wants him loose. I know this is nit-picking, but it is a good amount of nit-picking. Without it, the plot can't forward. In fact, it shouldn't really move forward at all. Meh.

 ·         Hal Jordan saying the oath. How did he know the words to say? Abin Sur as he lay dying only told him to say the oath, not telling him what the oath actually is. If he simply pointed to the lantern and said the words before he died, that might have been a bit more helpful. Instead it's just exposition. Not very helpful words. Even when they're spoke, there probably put in there to appease comic book fans. That's not the way such logic works!

 ·         Sinestro turning evil at the end. Why? There wasn't any reason for him to turn evil at the end was there? You could argue that because of his jealously or desire to use fear for other means, but really I did not get that from the film. Just someone whose eager to defeat Parallax at all costs. No sense of character development, no ideas where to go with him, and he puts on the ring because.....it was a Sunday.

 ·         The CGI, more specifically the suits. When the suits came up in the trailer, I groaned. I could tell right off the bat this movie was going to be terrible. Whoever came up with CGI like that needs to punished. I know that they are close to the original depiction from the comic books, but just the look of them was visually distracting. Batman had a realistic suit so why didn't Green Lantern get one?

This has given me an idea that this particular movie has made a crime of doing: Putting comic book references in the film to make it entirely pointless. Yes I know the comic book had that stuff in, but that does NOT give one an excuse to not bother working them in properly into the film's narrative. To me it is just lazy writing, inexcusable. You shouldn't always put comic book stuff so the fans can be happy, and expect the film to work from that, you need to have a lot of consistency and work them into the film to show how these elements of characters, logic etc work instead of just throwing them in willy-nilly, and hope the fans will be happy regardless. That should not be how comic book films work at all!

ARRRRGGGGHHHHHH!!!!..............................nice to get some anger out of the way. Didn't think Green Lantern could piss me off so much.

Daenarys felt the same when Joffrey said he enjoyed Green Lantern and X-Men the Last Stand.

So there pretty much covers DC films for the moment. For some of the good that does come with DC, the bad stuff really seems to drag it down into an endless pit. Superman and Batman are the only ones relied on to bring audiences in to see DC movies, but it doesn't need to be this way. If there can be some good writers, good directors, good actors to bring more DC heroes to the big screen, DC will stand a chance against Marvel in film. It can be done, but I just hope it can be done soon.
But for all the grief I give on film, TV is another story all together.....

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THE TV SHOWS:

As I've mentioned, Marvel are starting to plan a foothold on TV along with future instalments for cinema. DC have already have that in the bag, in live-action and animated formats, more so with the animated side then most.

In the 70s and 80s, there was a period of domination with the Super Friends franchise. Based on the Justice League, it featured a main core of the popular characters from DC comics including: Wonder Woman, Aquaman, The Flash, Green Lantern, Hawkgirl and many more featured in the thirteen year run it had on air, as they faced off against the Legion of Doom, Animal and Hawk......oh sorry, not WWE Legion of Doom, DC Legion of Doom, headed by Lex Luthor. Easily confused obviously.

We will destroyed the Justice League with our patented Marvel waving techniques!

I don't know enough about these shows as you can see. But growing up in the 90s and 00s, I had the opportunity to watch the DC Animated Universe. Created by Bruce Timm and Paul Dini, the various animated series consisted of mature storylines, memorable characters and pretty good action sequences, keeping me and many other people enthralled for over ten years. Interestingly enough there were even a few spin-off movies, one of which getting a theatrical release. I admit to only watching a few of the series in all, but I still have some vivid memories from the episodes on display, especially the intro music that came with the territory.

One episode I remember most vividly from the Batman animated series was The Laughing Fish, where The Joker creates a toxin that affects fish, and Batman appropriately investigates. I remember it being pretty good, some scenes really standing out for me, especially where "Batman" is attacked by a cat, and turns out to be someone else in place of him. Unfortunately, I don't remember because I had primary school annoyingly, so had to leave under educational intent, or whatever educational intent there was.....grr.

One other series that had me interested was Justice League, an off-shoot of Super-Friends (except more mature I think). I remember watching the first three episodes, Secret Origins, when Earth is threatened by an alien invasion. Superman has been having some odd nightmares, but figures out they have been coming from the alien J'onn J'onzz and rescues him with Batman's help. J'onzz then telepathically brings more heroes to help fight the invasion: Wonder Woman, John Stewart as Green Lantern (more respect for him then Hal Jordan), Hawkgirl, and The Flash. I do remember this being so pretty fucking awesome, as the new team fought in pretty good action, nicely done characters and pretty interesting enemies to fight against. This show interested me a hell of a lot, seeing the various members of the Justice League playing off against each other and how the stories keep some consistency as well as a good degree of maturity. It was a show I was happy enough to give my undivided attention to.

That is until the attention came to another favourite TV show, Teen Titans. 


I loved this show, loved it, loved it, loved it. The theme song was annoyingly addictive, the characters were awesome, the episodes went from funny comedic episodes to serious mature ones seamlessly, it was just something I completely adored and was always keen to watch when young at heart. The show focused on five core members: Robin (Dick Grayson though it's not actually specified), Cyborg, Starfire, Beast Boy and my overall favourite character Raven, following their different adventures and even including two major comic book storylines from the Teen Titans comics themselves. Watching them recently, I still got a sense of enjoyment out of them. They were still funny (though some of the jokes are bit contrived for plot convenience), the mature stuff held up well (except for one episode in particular involving racism), the animation really sweet and the voice acting can be really good at times, but the tone can be a little annoying. It didn't stop me from enjoying the series over ten years after I watched it. Last year, the series was rebooted somewhat into a more surreal comedic series called Teen Titans Go!, which I did found very strange but still really funny and good fun to watch. I'd recommend both to watch, so.....Simon says bitches. :).

In terms of live-action series, Marvel may be trying to get a foothold, but DC have a lot going for it since the 1950s. The first live-action show at that time was The Adventures of Superman (isn't that just the way?), starring George Reeves as the alien hero. A decade later, the Adam West show brought Batman to popular heights with its campy tone and uses of the words Pow!, Sock! And Zooo Motherfucker! Wonder Woman was the next popular series in the 70s, with that repetitive theme song and I think slight amount of cheesiness as well, though I have only seen clips of it, not a full episode.

One season I have kept with and watched rather religiously is Arrow.


Following the Green Arrow comic book series, Arrow is about the inner city adventures of Oliver Queen, who fights crime in Starling City, originally setting his father's wrongs to rights in the first series, then pledging to stop all criminals without attempting to kill them in season two. What I love about this series is the various twists and turns that happened throughout, seeing how the characters have developed into their roles, and despite the undisputable that Queen is pretty much a near rip-off of Batman, he is an interesting character all round, planning for all sorts of different situations, like when he is actually arrested for being the Arrow but figuring out a plan for that situation. If you fancy giving it a go, do. It is a clever series, full of interesting stuff and really brings the mythos of the DC universe to home.

I now have read about the development of new shows like The Flash, which was used in Arrow as a kind of back-door pilot to show off the origin for Barry Allen, and a series following the early career of Commissioner Gordon and a young Bruce Wayne called Gotham, as he investigates the murder of Wayne's parents and sees the origins of such famous Batman villains such as Penguin, Catwoman, Two-Face etc. Both series do feel as if they have a lot of promise, more so with Gotham I think, and with the onset of Marvel series to come, I think they should deliver greatness.


So looking back on this section, I do enjoy the DC stuff on TV in my personal opinion, just as much with what Marvel has to offer. Compared to the movies, the TV shows can be so much better to take in and enjoy. I have wonder if DC characters can work in TV better because there's so much more to work with. It is a big universe like Marvel and with the multitude of characters that exist, it can be possible to do, probably more so with the lesser known heroes to bring them to the forefront. So yes, DC definitely has more of a home on TV then it does for the moment at the cinema.

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TO SUM UP:

Looking back on what I have discovered and from my own personal experience, I do think it is a split landside for either side, and it will come as no surprise to some people. Marvel has the advantage in film due to its many advantages in having THREE film companies to work with, a long term planning strategy, and great actors to fall back against. With the five TV series currently in production, it is an obvious prospect that Marvel will dominate for many years to come. At the present moment for DC, it's hard to see them bringing anything that will bring comic books on mass to their side. That doesn't mean that they're not capable of doing really, because they can. But the bad films released really bring down DC quite a notch compared to what Marvel has managed to bring out.

The main problem for DC is how they handle the creation of their heroes. Not like with Superman and Batman, but with Green Lantern and Jonah Hex. From my experience with Green Lantern, he was created terribly on film, and deserved way better planning out to his character and story. I don't know who else has an interest in Jonah Hex, but he isn't a superhero I have that much interest in. That is only my opinion however.

As a bit of fun for myself and my friend, I did a plan-out of a Teen Titan film series. There is a core mythology all around the characters who are part of the group, and many themes, worlds and drama that can be properly explored if written right. From what I have seen, there is a pretty sizable fan base for Teen Titans and this should be given a good deal of thought, because there are great numbers of superheroes that exist in the DC Universe, but they have not the great exposure that Superman and Batman happen to have. That on itself is surely a sad thing on film. With the point on relying on Superman and Batman most of the time as well, DC will be seen a two-man horse.

On TV however, DC does have some great shows of their own, especially with Arrow at the minute, and perhaps Gotham and The Flash will deliver too before long. But they need to up their game if Marvel's five shows are successful in their own right, and not be on the back foot like they have done in film. But I think their quality doesn't need to change at all if the time comes, and it will, they need to have studios (TV AND Film) on their side to be able to continue having some relevance, because if they are eclipsed then the comic books will be their only source of entertainment. From what I have learned from them, they are not as interesting.

In the end then, DC is capable of so much entertainment. But with Marvel coming up and up, it's hard to see any kind of fight-back at all.

But the Battle continues....


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That's it for the Randomizer this week. I hope you enjoyed my thoughts and rants, and will follow me next month wherever I go. Good day to you all!

Randomizer out.

Sunday, 23 February 2014

Is Rock and Heavy Metal DYING?

Welcome back to the Randomizer!

As many of you will know, I am quite the rock/heavy metal fan.



Actually to be honest, it has been over ten years since I properly immersed myself into the genre itself. From first listening to Within Temptation's 'Angels' to having a big collection of albums from the likes of the dreadfully under-rated Judas Priest (seriously as far as I know, they've never headlined a big festival.......what the f***?) to Metallica's pretty awesome concert with the late Michael Kamen, to Pink Floyd's magnum opus: Dark Side of the Moon. Sometimes I wonder if I was born in the wrong year to see these bands live! So as you see, I could say I live and breathe rock and heavy metal (along with some other bits of music I'll add).

But then something interesting caught my ears. Otitis media. It's a bitch of an ear infection. But another thing that caught my ears was when I was listening to digital radio station Team Rock Radio a few weeks back. Presenters Miss Rach and Dewsbury (yep, just accept it) promoted Classic Rock Magazine with an interesting article inside with featured guest musicians about a certain question:

Is Rock Dying?

Now on hearing that question, I can guess your answer can go one of few ways:

1)      F*** OFF ROCK ISN'T DEAD!!!!! HOW DARE YOU SAY SUCH A THING?!?!

2)      Well I've heard better stuff coming out of Nicki Minaj. Now where's my hoe at? I need to explain to her how she needs me in her life for her to stay.

3)      Rock music is just noise.

4)      Well, let me get just this out........(click, gunshot)

5)      Erm........whatever

I think number 4 is the most plausible.

But it has raised some quotes from rock musicians. On the Classic Rock Magazine website, Scott Rowley wrote a blog called 'Is Rock Dying?' and has featured words from a number of band members. Primal Scream's Bobby Gillespie said in a interview for BBC 4'S Review Show: "It's strange in rock culture just now. It's kinda dead, I think. It's over". Echoing that sentiment is former Buckcherry bassist Jimmy Ashhurst: "Rock n' Roll has died, and nobody's really that pissed because we caught it in a box and can look at it whenever we want."

Upon hearing those words, you get the impression that Rock music is something that has, effectively, passed its sell-by-date. Something nostalgic that can be reminisced about when we're all in our middle ages and pensioner years. Yet there are still a good number of bands who are still playing rock and heavy metal music today, still adored by old and young generations alike, even if said bands are no longer playing together.
So.........is Rock and Heavy Metal TRULY Dying out?

What I'm going to do for this article is do and FOR and AGAINST section, to see what points are valid and go up against each other in a all out brawl to the death, with chainsaws, flamethrowers and anvils.
Let's not waste anytime!

Digitally removed are said chainsaws, flamethrowers and anvils.


------------------------------------------------------------------------------------------------
A Little Bit of History....

First, we should take a look back at history, to Elvis in fact. When the mid-1950s came around, Mr. Presley was obviously the go-to guy for this growing genre of Rock N' Roll, becoming an international sensation and a rebel figure against the 'morally concerned' establishment. His influences of gospel and early Rhythm and Blues in his work, along with what he did on stage, effectively created the new genre in one fell swoop.

Hidden is Elvis doing the Devil's Horn Uh-huh-huh.


As the 1960s came around, the rock genre pretty much exploded in Britain. First came The Shadows, the former backing band of Cliff Richard, who released their most famous song 'Apache' in 1960. Then the Beatles came along and the world pretty much ended after that. Screaming fan-girls (and Jesus) followed them everywhere and kept them on the run for at least until the end of the decade. Other famous bands that cropped up around this time are the Rolling Stones, The Who and Pink Floyd whom despite tragic deaths, substance abuse and the like, have continued to last and be remembered even to this day. In addition, certain rock guitarists started to make a big name for themselves around this time too. Jimi Hendrix and Eric Clapton started to make themselves known and, quite arguably, become bigger than the bands they were in.

When the 70s came around, things had started shaking up. The Beatles disbanded at the beginning of the year, and Jimi Hendrix died in his apartment in the autumn. Musically as well, Rock started to take an interesting turn, and more complex. Some bands went more heavy with the likes of Led Zeppelin and Black Sabbath leading the pack, with such releases as Led Zeppelin III and Paranoid helping to bring a different take on the genre. Some went for a more softer  and "glam" approach, such as David Bowie and Fleetwood Mac with their respective releases of Ziggy Stardust and Rumours becoming quite popular.

This was also the point where Heavy Metal became a genre in its own right. Judas Priest is credited as the first band to so this, using twin guitars and dropping the blues influenced sound that came in the first place. These characteristics would change a part of Rock music forever.

WHAT DID I TELL YOU GUYS? THIS WAS AN AWESOME IDEA!


As the 80s came, things were shaken up again, more so then ever. John Bonham, drummer of Led Zeppelin, died of a combination of alcohol and pills, and Ozzy Osbourne was carving out his solo career, with the legendary Ronnie James Dio taking his place as vocalist in Black Sabbath. You could say at this point that Rock had been overtaken by its Heavy Metal offspring, in three parts no less.

At the start of the decade, The New Wave of British Heavy Metal started to grow as Judas Priest, Saxon, Motorhead and Iron Maiden began to become international stars in their own right, using faster tempos and more fantasy lyrics, definitely more so in the latter's case. In the middle came Glam Metal bands like Motley Crue, Quiet Riot and W.A.S.P making up some ground with new uses of theatrics and lyrics about teenage life. At the end (my only friend), was the growth of the Big Four of a subgenre called Thrash Metal: Metallica, Megadeth, Slayer and Anthrax. With their influences of the New Wave of British Heavy Metal, they composed more faster tempos, incorporated politic and social themes, and created a new branch of Heavy Metal at the same time.

Perhaps like almost fifteen years ago, Heavy Metal was starting to branch out into different styles with uses of experimentation. Nonetheless, it is important to see where such creative ways have led the genre of Rock and Heavy Metal to. Particularly in Europe came the emergence of Power Metal, where it still maintains great popularity to this day.

In the 90s however, Rock and Heavy Metal almost became virtually superseded by the explosion of Rap and Hip-Hop Music. Despite the record sales of Metallica's Black Album, the genre was slowly growing out from the mainstream scene, and another called Alternative Rock went into its place. American bands like Nivana, Pearl Jam and Jane's Addiction overtook the world by storm. But British bands came back and 'Britpop' took over the Rock reigns.

Heavy Metal didn't obviously disappear entirely either, as bands like Pantera and Machine Head rose to join the ranks. However, things did get a little more interesting. In some parts of the world, it again was experimented on and certain bands, particularly in Scandinavia and Britain, gave rise to a new form of combining folk instruments, screaming vocals and paint. Thus a few subgenres were born: Folk Metal, Black Metal, and Death Metal.

Metal's second home


At the turn of the century, an interesting new form combined metal and rap lyrics together: Nu-Metal. Once more, Metal found its way into the mainstream, with the likes of Limp Biskit, Linkin Park, Korn and Disturbed taking up the mantle. However the revival didn't last long. Within half the decade, Linkin Park and Disturbed had changed their styles somewhat considerably, Limp Biskit broke up and re-emerged later this decade, and Korn......well they're just Korn.

But despite falling away from mainstream ears again, Heavy Metal has retained a great retinue, especially in and from America in the form of 'metalcore'. Bands like Killswitch Engage, Trivium and Welsh suit Bullet For My Valentine have become the focus bands in popularity, along with Avenged Sevenfold and Slipknot, considered part of the New Wave of American Heavy Metal.

As we come into the 10s, Rock and Heavy Metal are obviously still popular today, but perhaps isn't as popular as we like to think. In my experience at least, some people consider Rock and Metal to be 'noise' and have no interest in it whatsoever. As well as that, consider the point that there only two music channels dedicated to showing rock and metal music: Kerrang and Scuzz. Perhaps in future things will look up soon, because Rock and Metal is certainly not going away any time.

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So now you're full of the history, let's start proceedings to see if Rock/Metal IS Dying.

FOR - Case of the Prosecution

Mr Edgeworth presiding


1)      There aren't many bands that are 'it' nowadays

Now what does "it" mean? "It" refers to the next big band to break the bank and become well-known around the world, to be playing at bigger arenas, bigger audiences and move onto greater things. That's all fine and well for the Rock and Heavy Metal fans, but even then there are those who you wouldn't think would have a bad word to say against a popular band? Needless to say it can happen.

Let's look at the recent line-up for the Download Festival this year. Avenged Sevenfold was announced as the first headliner for the Friday night. Against the likes of the ever experimenting Linkin Park and forever making love in the elevator rockers Aerosmith, their inclusion caused a bit of bedlam. Fans were divided between whether they should be headlining the massive gathering of moshers and headbangers. Some thought it was absolute s***, others were more accepting of the fact.

Since the Download Festival started over a decade ago, it has been headlined by some of the greatest bands to have walked the earth: Iron Maiden, Metallica, Black Sabbath, System of a Down and Slipknot, to name a few. These bands are what people consider to be "it" in Heavy Metal circles, established for a few good years and delivering some quality music.

Iron Maiden have headlined the festival three times


Avenged Sevenfold, it seems in some people's eyes, are not "it". Perhaps then it just comes down to opinion, how people view the band and just as importantly how critics view the band. They have received very good reviews for their sixth album, 'Hail to the King' from The Guardian newspaper and Classic Rock Magazine. But looking back on their last two albums, 'Avenged Sevenfold' and 'Nightmare', they weren't so warmly received, by critics at least, receiving 56 and 62 on Metacritc respectively.

Having those mixed reviews would affect the band's standing in the world amongst casual rock and heavy metal fans, and divide people into either loving or hating Avenged Sevenfold, regardless of the hardcore fans. I'll admit I wasn't a huge fan of the band to start with, only hearing about them with the onset of 'The Rev' James Sullivan's death back in 2009. Since then, I starting from thinking they're ok, to liking them from what I have heard so far. They are certainly a band that continues to grow, but some songs do bug me. (If you're curious what they are, it's Bat Country and Beast and the Harlot. o.o)

Awww come on man!


In comparison with Iron Maiden and Metallica's album chart rating, they are only starting to pick up reaching the Number One spot, which was last year with 'Hail to the King'. Now I know that for a lot of people, the charts are not very important, that the music is more than ratings. But really look at the consistency of those ratings. Metallica: 6 top five hits, 3 at Number One. Iron Maiden: 11 top five hits, 4 at Number One. Really speaks about popularity doesn't it? I know it's an easy comparison to make, but consider the point that Avenged Sevenfold are still young and carrying on. Iron Maiden and Metallica have existed for over a generation.

Taking a quick skim over at other metal bands, like Killswitch Engage and Trivium. Could either of them be considered to be "it" bands on par with Avenged Sevenfold? Again, I think there might a good divide between them amongst fans if for example they were promoted to headliners at festivals, all around on opinions. Yet looking at the reviews they have received, they are more consistently rated good by critics. How other people view them however, is obviously up for debate.

So then are they any "it" bands nowadays? It's hard to say without going deep into the recesses of Rock and Heavy Metal. Opinion from the looks of it can go a long way, along with the facts. It would be wrong to say that the bands don't have any passion, because that's obviously bull. But maybe there's a little something missing from them that stops us from thinking 'These guys are on par with (insert big band here)', and think 'They're good, but I don't love them'. In my opinion, we might be waiting just a while longer for that band to be "it".


2)      Rock and Heavy Metal is not mainstream now

On first thoughts, this does have a certain degree on truth about it. Whenever we listen to the radio or see what music channels are on sky, unless you have even a vague interest in rock or metal music, you are listening to what is popular, or intended to be popular. As I mentioned above, there are only two viable rock music channels on sky at all, while most other content of the channels focus on pop, rap, dance, classic popular songs etc. On radio too, there are only a few stations dedicated to playing just rock, a select few being Planet Rock, Team Rock Radio, Absolute Radio Classic Rock and so on. All those stations can be found on digital radio, not analogue.

When was the last time you heard a rock show at all on BBC Radio? If you said 1993, well done, because that would be the Friday Rock Show, presented by Tommy Vance. His show was claimed to have : "become an institution, and he spent the next 15 years championing the world of rock on the airwaves" (Team Rock Radio). His last ever show from that year was played out live on Team Rock in December last year. Supposedly you could argue that with the Friday Rock Show gone, the Rock Genre literally had nothing going for it in terms of airplay. Interestingly, I have found that there is a Rock Show on BBC Radio 1 every Tuesday night from midnight to 2 in the morning. Whether that does well however, I have no clue.

Welcome to the BBC Rock Show with me, Daniel Carter.............HELP!


I think that since the 90s, any sort of time for Rock and Heavy Metal music has been pretty limited from what I've listed above. With the onset of Rap, R'n'B and Dance becoming the new mainstream and keeping that way for a long time, Rock has found it a little difficult to find a good majority of an audience who would be interested in listening, along with the number of fans in existence now. It seems that the only way for rock and heavy metal fans to communicate with each other is through digital means and magazines.
So in one way it seems that, yes, Rock and Heavy Metal are stuck in a loop.

However it doesn't mean that the genre will die and disappear into a nostalgic box for people to look at while bored. On the contrary, thanks to the internet in particular, Rock and Heavy Metal still lives to fight every day. On Youtube, we have a whole horde of videos from bands to watch, or from fans who upload lyric videos, or images that go with the song etc. That way helps people to explore new bands, or new people to hear heavy metal music for the first time. In addition Amazon and iTunes allow you to buy songs and albums online and keep on your computer/laptop as opposed finding them in high street shops, where that likely hood is difficult.

No signs for the heavy metal fan yet.....


But really that is the only way to discover Rock and Heavy Metal if you really get a taste for it. That is the problem I think. Without much promotion from MORE outlets talking about Rock Music and going further than that, young kids and teenagers simply won't take an interest at all, instead listening to what is in their environment, what their parents listen to, what is on the radio etc. There are some bands that will get a lot of attention from people like Coldplay nowadays, but there are quite few bands in between that will gain that sort of publicity that they do in the limelight.


3)      It's all noise/screaming/repetitive etc.....

Now this is something that can irk a lot of metalheads, and it is understandable to a point. One girl I used to work with called metal music 'just screaming'. Another woman I work with calls it all noise, and asks me to switch on Heart FM to keep her happy and cheery. Countless others I think will agree with them. But despite being a metalhead myself, I can completely understand where they are coming from.
This concerns more with mainstream metal bands at the minute, specifically......metalcore.

LARYNGITIS DOES NOT EXIST FOR USSSSSSSSS!! HAHAHAHA!


As I've mentioned above, Heavy Metal in particular has become subject to experimentation and changes quite a bit. So much so that it has developed its own little family tree! I had mentioned beforehand in my Get Drunk and Listen to Folk-Metal article last year, Rock and Heavy Metal are not as simple as Rap and Pop music, branching out into different subgenres (see above in the history section to remind yourself).
In today's metal generation, Metalcore is still relatively popular, with uses of screaming vocals, shredding and ridiculously fast riffs. Killswitch Engage, Bullet for My Valentine, and Trivium are three of the biggest bands to be part of this subgenre. Despite its popularity among Heavy Metal fans, other music fans don't really give it a second thought, apart from: "what is this, and where is the nearest window I can throw this stereo out of?"

I'll be honest, I did agree with that concern of finding a window too. Seriously, Metalcore was my Moriarty to the Sherlock of Power Metal. They all sounded the same, screaming in the verses, singing in the chorus, repetitive shredding etc. There was just something that didn't feel creative or original at all, just emulating (coughcopycough) what another band did beforehand. It was easy and obnoxious, especially with the screaming vocals. If they can sing, USE THAT VOICE!

Nowadays though, my problem with it has loosened up a little. Yes, they're still bands who can't be bothered with doing something different with their lives. But I do see that I am starting to like the music a little better, because like Avenged Sevenfold it's starting to grow on me a little the more I listen to it. But I wouldn't go as far as being a hardcore listener just yet.

YOU WILL BE TURNED BY MY VOICE!


I would also not go as far as that criticism is going to be the final nail in the coffin. Metalcore is still a popular genre for people to listen to and be enjoyed. BUT I do think it doesn't help if the Metalcore genre is all that the casual music fan has heard to get an impression of Heavy Metal. Yes, we know that Metalcore isn't the only subgenre of Heavy Metal, but that casual music fan doesn't!

They won't understand how Heavy Metal has changed over the 50 years it has existed on this planet. They will be more concerned with what evil-doing Justin Bieber is doing right now. You could explain to them who Jimi Hendrix was and they won't have a clue who on earth you're talking about, unless you're born in the 40s, 50s, 60s or 70s. This is a problem that needs to be rectified where all interested parties are concerned, and it lies on us as metalheads to do that.

In addition, because Rock and Heavy Metal has expanded into different branches of its little tree, it has become more complex and creative with the use of different instruments and expansion. Compared to the simplicity of music in Rap, R'n'B and Pop songs, we don't really stand a chance.

We need to show that Metalcore or any other subgenre is not just Heavy Metal itself, but a branch on how Heavy Metal has changed over the years along with symphonic metal, thrash metal etc . Even if they won't care and not understand where you're coming from, you need to show your understanding of how metal has evolved over the years and what subgenre styles have been developed in over 50 years, even if it's a metal subgenre you DON'T like, and just hope they understand where you're coming. If they don't, try not to be disheartened and think where learning about the difference between the subgenres has taken you.

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AGAINST- Case for the Defence



1)      Promotion promotion promotion!

Well this is a pretty obvious one. Promotion of the genre as I've mentioned is limited at the minute, since it cannot really attain proper national radio airplay (apart from Christmas), hardly many music channels and only good use of the internet to actually listen to the bands. But we shouldn't look at this as a negative thing, because at least there is something for Heavy Metal fans to grab their dirty little mitts on. I'm grateful for such people in their jobs to promote a great genre, and I'm sure many others would agree with me.

WE CONCUR


One of the more usual parts of promoting a genre is through magazines. Now there are a few dedicated to such delights, first one being Kerrang Magazine, possibly the most well-known. It focuses on what's considered mainstream in the genre, what gigs are playing in the week and has a number of big interviews with those getting more attention in recent months. Another popular magazine that I had come across a few times is Metal Hammer Magazine, a monthly subscription more in line with Heavy Metal, focusing on popular and different acts around the world. They hold all of features: Competitions, Merchandise, even a link to their own YouTube page. So you can cream over Avenged Sevenfold singer M. Shadows all you want! The third and final one I will tell of is Classic Rock Magazine. You know what it focuses on? Robots! That and having all sorts of features from all sorts of classic rock bands from ZZ Top to Deep Purple, showing videos from new bands too, and has its own little blog site, where I had the idea to do this article.

That kind of promotion does help to create a good deal of interest in what bands are up to, especially where the gigs are concerned. It can also introduce you to the different subgenres that Heavy Metal has to offer, particulary more so with Metal Hammer I would imagine, and new interesting rock bands from Classic Rock Magazine. Both mags have a subscription fee, so if you can't be bothered going into town, quids in from the post office!

Postman Pat enjoys the works of Judas Priest, Saxon, Dimmu Borgir and Dying Fetus. Because Why Not Dying Fetus :P


Speaking of those two magazines, this is where the wonders of digital radio come in. At the beginning of the article, I talked about Team Rock Radio quickly. Now I'll go into more detail. Team Rock Radio has only been around for over 8 months now, but it has quickly became my most listened to station since time immemorial, listening to the likes of Moose, Mrs Rach and Dewsbury (who is my favourite overall and should have the nickname Dewbacca. Please?). But in addition, both Classic Rock and Metal Hammer have their own magazine shows on week nights, the former presented by Nicky Horne, the latter by the proclaimed 'Dark Lord' Alexander Milas (I think you'll I'M the dark lord Mr Milas, ahem!). Expanding out to different media formats would have helped bring in a new audience to listen and even entice them to buy the respective magazines. I should know! However because its digital radio, it won't reach a bigger audience than those on analogue radio. Maybe it's not a bad thing, but I'm interested to know who would be getting a digital radio even after reading this article? Anyone? No? You should. Just because. Seriously I do wonder though. There is an audience obviously, but whether much more people will listen to such stations is another matter.

Dewbacca certainly hopes so! RAWR!


The last format Rock and Heavy Metal get a good deal of promotion is through music channels. Only two cater for the genre, Scuzz and Kerrang!. Now I'm not going to say that's a bad thing that we only have two channels to watch, because how else do we get our fix in the morning from our hangovers? We get to watch a great deal of music videos, and see interviews from our favourite bands. But compared to some of the other music channels like The Box, Smashhits, Kiss etc, and the videos they show what's in the mainstream or from the past, it's hard to tell how popular we are compared to them. Looking at the different audience shares I have investigated, it's not easy to say how much difference it makes.

That's probably the big word: Difference. Not just the music, but how much promotion the genre actually gets in general. On the face of it, it does look as if we get a good deal of it: Two music channels, stations on digital radio, magazines, and obviously the internet. What's not to like? But on the other hand, they are so far and few in between compared to what else is on. The internet is for everyone else, we hardly get have any airtime on national radio, and against other music channels it's uncertain to tell. Effectively, we are the outsider in some respects because of good, but still little promotion applying to the core Rock and Heavy metal fan base. I'm not trying to be a mopey sod, but that is the fact on the face of things.

That falls in with how much Rock and Heavy Metal is not in the mainstream. The genre has a good set of promotion, but since Heavy Metal is not as popular as it once was, it's not enough to bring in more of an audience. Not totally a bad thing because there is an established fan base, but it's stuck in a sort of loop, unable to bring in more interested people.

Speaking of fan-bases....


2)      The fanbase is massive?

That's more intended as an obvious statement. But the Rock and Heavy Metal fan base is of course massive. It's easy to say it's like that with any kind of music. But having gone to festivals, gigs, listened to CDs etc, saying it for Rock and Heavy Metal is an understatement of great proportions. Without those CDs to air guitar to, without festivals to create a mosh pit, without gigs to actually meet those bands out in the cold, where would we be I ask you? Getting drunk, which isn't always necessarily a good thing.

The wrong meaning of plenty more fish in the sea


Ever since the 50s, Rock and Heavy Metal is a worldwide institution, one that seems to transcend around all sorts of levels and age groups. Unlike Rap and Hip Hop, it can be considered to be outside the norm, something that seems alien and dark, yet is friendly and mental once you get to know it better. In one way for some, it is like a friendship with yourself, allows you to express your feelings and break everything in the living room, which I don't advice doing.

There are so many reasons to love rock and heavy metal music, but to do an entire list of them would be a bit mad. So you'll have to settle for me discussing my main reason for loving metal. Simply put, I love the music, the way the drummer beats the rhythm out, how the guitarist and bassist shred manically, how the singer can belt out such a voice etc. There is something that always entices me to enjoy the tune, to headbang until I get a massive headache but thinking it will be worth it. In other ways with the addition of different elements into the mix, such as the use of an orchestra, it creates a different kind of atmosphere to appreciate, if not enjoy.

Speaking of different elements, it's a thought that despite Rock and Heavy Metal, the latter more specifically, expanding into different experiment elements like opera, screaming vocals, native instruments etc, it has brought together a wide-ranging audience into its wing. I remember watching a Nightwish documentary on their End of an Era DVD, called 'A Day Before Tomorrow', covering the bands final dates on their 'Once Upon a Tour' tour. :P tour tour. Anyway, it shows the band having a big following in Latin America, specifically in Brazil I think, as they get some interviews there, Tarja Turunen gets gatecrashed by fans to sign merchandise, said fans wait outside the hotels to get a glimpse of them, it is fun to watch. It gives you an idea how passionate metal fans can be, and less creepy then those *** ********* fans (said band is blurred out because putting them in an article about metal is just wrong).

In a strange sort of way as well, it does create a sense of community as well, because we have something special to relate to. I know I am not alone in this, for I have good friends from college who share the same passion as me and enjoy their company greatly (even if one of them has bad film taste and needs a good smack every now and then. Hi Scott J). Having friends like that can be important because it shows that we are not alone, that we can find someone with similar interests and beat each other up with good excuse to do so. We can talk to each other easily about what we like, and introduce each other to different subgenres of the genre without having blank looks in our general direction. Not that we get blank looks anyway but you get the idea.

So of course the fan base is pretty big, and pretty sweet to be a part of. We are passionate about our tastes and enjoy the music to our hearts content. If you ever decide to come to a metal festival, feel free to get pissed and mosh out. You won't catch me in a mosh pit for certain, but you might find Aragon in there.

LEGOLAS! PLAY SOME SLIPKNOT MOTHERF***ER



3)      The Father, The Son and the Holy Dio

Remember that Heavy Metal family tree I talked about? Well, maybe another reason why Rock and Heavy Metal will not die is because of the different subgenres themselves. Ever since Judas Priest made those first experiments to add twin guitars and drop the early blues influence, the genre has evolved and grown into so much more, adding almost everything from Rap to Classical instruments, to folk instruments to growling and screaming vocals; the list goes on and on. It's like father and son because the older generation influences the next. Also a Holy Dio would be awesome wouldn't it?

Bow to me


Let's think how much evolution has changed the heavy metal scene. At the start of the 70s, the two bands Black Sabbath and Led Zeppelin used long solos on one guitar, slow drumming, different techniques with speakers etc, to achieve a Pink Floyd style of surreal innovation. Especially with Black Sabbath's Paranoid, we have pieces that are slow-moving and relaxing, fast-paced and manic, starting out quiet, then building up and up into guitars and voice, then back to slow again. I would say without doubt that Paranoid is THE precursor to Heavy Metal overall.

Moving up to the 80s, you could argue that the decade was probably the biggest for Heavy Metal, because it just never seemed to stop, and continued to show off bands with new styles. From the likes of Iron Maiden to Motley Crue to the onset of the Big Four, everything just evolved to faster and faster drumming and shredding, sweet theatrics onstage, and great quality music. Helped by the Monster of Rock festival in Castle Donnington racetrack (where the Download Festival is now), the Heavy Metal heyday stayed long enough to create lasting legendary moments.

The 90s may have been the time when Heavy Metal disappeared from the mainstream, but the experiments continue long to induced a massive hangover, only solved by more drinking and coming back for a nice hurrah at the end. Folk metal had its origins with the band Skyclad's use of violins, paving the way for future bands like Irish band Cruachan and the Finnish movement in the early 2000s to use native folk instruments in their work. Black Metal had its second wave courtesy of Norwegian bands such as Mayhem and Immortal, bringing the growling vocals and double speed drum beats to the forefront. But unlike the former, that wave brought with it a whole range of controversy, not limited to murder and church burnings. I'm not joking. This is my serious face: o.o. The final subgenre to grow at the turn of the century was Nu Metal, as the likes of Slipknot, Limp Biskit and Linkin Park came into the limelight with their combination of rap lyrics and metal sounds, bringing metal back into the mainstream somewhat, more so I think with Linkin Park then most.

But after a few years in the 00s, Nu-Metal became slowly unpopular and taken over by Metalcore. Along with use of the screaming vocals during the verses and repetitive guitar riffs, there is more focus on emotive lyrics relating to relationships with family or lovers, addiction, and so on, reaching a more 'in your face' poetic muse as opposed to the fantasy lyrics of the 80s. Though how popular Metalcore is can be frustrating to think about, because I don't remember one of those bands reaching the heights that Slipknot, Linkin Park have managed to achieve. Yes it could still be considered the mainstream nowadays, but despite all the album releases and gigs, is it still early days for such bands to be considered headline material for festivals? 

Maybe so.

Going through the detail of how Rock and Heavy Metal has changed over the decades, you get a sense of how metal has expanded into different and uncertain territory. I say uncertain because if we think of Heavy Metal as Play-doh, we can do whatever we want with it. We could add orchestral elements, different vocoders, keyboards, faster drumbeats, a mewing cat, broken objects, and a hell of a lot more. Once that happens, what kind of Heavy Metal subgenre does it become? Something new or nostalgic? It is a creative process to let bands do what they fancy changing up.

Quickly comparing creativeness to other genres of music, you can see how less complex pop and rap can be. Their focus lies on an easy beat, using either sampling more rock tunes or using digital means. It's creative, but limited creativity because it doesn't allow an influx of difference to occur, especially with Rap. Like with Eminem sampling Aerosmith's 'Dream On' or Vanilla Ice's 'Ice Ice Baby', there are easy ways of using technology as opposed to actually composing music. I had wondered in the past if it's a hard thing to find different beats so production companies find solace in using already composed music to ease their minds. I'd be lying if I didn't say I found that a little bit lazy.

Pop music is more tougher, because it's a genre that's probably meant to be easy listening and enjoyable, designed to have catchy beats that stick in your head and annoy you to death. Hopefully you don't have Bieber Fever for that. Could you imagine him being the last thing you hear? I would shed a tear. Anyway, some pop songs can be creative and wet your appetite, but I wouldn't expect any amount of complexity from them at all.

Heavy Metal is a complex business, but there is a certain beauty to behold in what bands can do to bring in a wider audience. Those experimental choices the bands make can help bring a lot of people together, going back to my first point with the fan base. However much the music changes, and it will undoubtedly, Heavy Metal will somehow always accommodate to people, regardless of taste in one subgenre or the other. In doing that we are ensured that enough fans can appreciate not one face, but the many faces we have on offer.



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So going back to the original question: Is Rock and Heavy Metal DYING?

Answer: No it's not, but it's certainly stuck in some sort of vortex. That vortex is helped by people who can be a little ignorant of the complexity of the genre, but still down to their basic taste in music. As well as that, there aren't many bands that are considered "it" in today's world, which in turn doesn't help to bring rock and heavy metal into the mainstream as far as we know. But thanks to the big fan-base we have, the number of subgenres we have, and from what media promotion we do have, it's not going to die anytime soon. The genre is effectively stuck in some sort of circle, unable to move forward, but certainly not in decline.

It appears then the future might just then be full of neutrality, where everything will move at the same pace, same problems, same benefits. Nothing will change effectively unless a few bands start off a chain of music that appeals to EVERYONE that results in Rock and Heavy Metal coming into the mainstream once more, or at the least give some understanding to what Heavy Metal can be about. However I cannot see that happening for the foreseeable future. Everything it seems will stay put, and perhaps not for the better.

What I would like to see is a good number of bands that don't just break the mould, they shatter it and brings in a new greater generation of fans that will have some memories of how great a Rock and Heavy Metal new wave can be, that can take over the world all over again. I am hopeful that such a thing will happen, but it is wishful thinking. The future is what we make in our present. Heavy Metal needs a brighter present for the brightest years to come.



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That's it for this month J I hope you enjoyed this particular feature, and maybe your minds have been opened that little more.

See you all in March!


Randomizer Out.